Enso Looper vs Weeping Wall Usage & Stats

*** PLEASE READ **** Enso is an AudioUnit V3 plugin; it requires an AUv3 host like Cubasis, Garageband, AUM, etc. THERE IS NO STANDALONE APP; it is only a container for the AUv3. An architecturally unique and sonically characterful looping toolkit for producers and live performers, inspired by both modern looper pedals and vintage tape-based setups, Enso combines elegant and intuitive UI design with a deep but accessible feature set and stellar sound quality. Enso’s operation will be immediately familiar to users of hardware looper pedals or plugins such as Ableton Live’s bundled Looper. Start playback of the host DAW, hit Enso’s record button and capture your instrumental performance into a loop of whatever length you like, up to ten minutes (five minutes on iOS). Then, without stopping playback, overdub further passes to create layered grooves, complex harmonic textures, or dense, evolving soundscapes. Beyond those basics, though, Enso takes software looping into new territory. Two Overdub modes configure the plugin for conventional looper pedal behaviour or Frippertronics-style ‘dual tape deck’ manoeuvres, affecting the handling of the Feedback parameter for an endless range of layering possibilities; and up to four Sectors can be effortlessly defined, each with its own start and end points, for on-the-fly rearrangement of the loop. With Enso, time and motion become truly fluid, as speed and direction are handled completely independently for playback and recording, the ‘through-zero’ bipolar Speed controls smoothly transitioning from forwards to backwards, and vice versa, in real time. Want to record forwards at half speed, while simultaneously playing the buffered loop in reverse at 1.25x? Of course you do… Onboard tape-style saturation, filtering and chorus effects bring dirt, frequency-shaping and stereo thickening to the party; and a comprehensive MIDI assignment system makes it a snap to set your MIDI pedal or button controller up for operation of all Enso’s buttons and switches. With its animated play and record heads, meanwhile, the looping waveform display provides a clean, clear visual representation of the potentially mind-bending temporal acrobatics taking place, letting you get a handle on exactly what’s happening at a glance. Giving you everything you need for limitlessly creative looping, on stage and in the studio, Enso is one of Audio Damage’s most beautifully realized plugins yet, and an empowering addition to any musician’s arsenal of effects

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Weeping Wall

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.