I primi 10 brownstrading.com competitors

messieraz.com

Recently the work of Navajo silversmith Hosteen Goodluck was the topic of discussion in one of the online jewelry forums. So, we proudly posted a concho (which has been converted to a belt buckle) that, when it was purchased decades ago, had been attributed to Hosteen Goodluck by trusted associates and knowledgeable dealers of Indian jewelry, including the late Jay Evetts. We were so confident of the attribution that we published the buckle in Reassessing Hallmarks of Native Southwest Jewelry as that of Hosteen Goodluck. Concho attributed to Hosteen Goodluck as it appears on page 15 of Reassessing Hallmarks. But even before that it was published on page 164 of American Indian Jewelry I: 1,200 Artist Biographies under the listing for Hosteen Goodluck: You can imagine our astonishment then when we were bluntly, and embarrassingly, made aware by those who consider themselves experts on Goodluck’s work that the buckle was definitely not made by Hosteen Goodluck. Notably, one dealer who attributed the buckle to Goodluck over 20 years ago now says they find no evidence to support that designation. Which was extremely discouraging. To understand how our concho suddenly became the work of any other Navajo silversmith except Goodluck, we politely asked what defines Goodluck’s work; what was their source to judge his techniques, his skill, or use of design elements? None of those who proclaimed themselves extremely knowledgeable in Goodluck’s work were forthcoming with evidence why their pieces were by Goodluck, but ours wasn’t. They only pointed to work they attributed to Goodluck asking, “can’t you see the difference?” Truthfully, yes we could see the difference, but struggled with discerning how they were so certain of their conclusions. So how would the work of Hosteen Goodluck, who died in 1937, be identified when that artist never signed his work or used a hallmark? Who can credibly attest to what Hosteen Goodluck’s silverwork looks like? Attribu

montanaterritory.com

Worn by cowboys, cowgirls, and ranchers as far back as the 1800’s — bandanas and wild rags are as functional as they are fashionable and are a staple in the western culture. In addition to his hat, the one accessory nearly every cowboy owns is a wild rag. To protect from sun and dirt, escape from cold, to wipe your brow, and dry your eye. Built for a life of purpose and intention. Wild Rags are typically 100% silk and larger than a standard bandana. The Silk Twill Montana Territory Wild Rags are 27”x27” 100% silk twill.

quintanagalleries.com

James and Joanne Beckman of New York State started their collecting journey in September of 1990 on their first trip to the Pacific Northwest. Driving from Portland, Oregon all the way to Campbell River, British Columbia, the Beckman's carefully planned their trip to view as much Northwest Coast Indigenous art as possi

spiritoftheearth.com

Check out some frequently asked questions regarding our Spirit of the Earth's online store and our assortment of emerging and established independent designer collections from around the world.

jennifersjewelryllc.com

Please contact Jennifer's Jewelry LLC through e-mail or text.   If you prefer to talk on the phone, please text a message and we will call you back.  Jennifer Jeffreys-Chen is the managing member.

zunifetishgallery.com

Zuni Corn Maiden Fetishes-Native American Indian Carvings-Southwestern Pueblo Stone Artifacts- Turquoise, Antler-Quandelacy-Peina-Leekya-Fetish Art-Eagle Dancer

jamescomptongallery.com

James Compton has been one of Santa Fe's most highly regarded Native American art dealers with 30 yrs experience in Native American artifacts & antiques.

westerntradingpost.com

Offered here for your consideration is a circa 1960s Zuni inlay squash blossom necklace with turquoise and four petal blossoms with matching earrings. These items are attributed to Ellen Quandelacy based on style and design. The naja is highlighted with seven channel inlay designs of natural turquoise complemented with a dangle. Each setting is accented by intricate hummingbird design cutouts. The neckline features 12 four petal blossoms each with matching turquoise channel inlay motifs. Two strands of sterling silver beads conjoined as one are strung on foxtail wire finished with silver findings. Completing the set is a pair of wire hook earrings, echoing the same natural turquoise inlay and four petal blossom designs. MAKER: Unmarked (as many pieces were from this era), but attributed to Ellen Quandelacy.(1924-2002; Zuni) based on style and design. She was active 1940s to 2002 and also worked with her second husband, Dixie Quandalacy. APPROX AGE: Circa 1960s.SIZE: The necklace measures 25 inches long. The naja measures 3 inches tall by 3 1/4 inches wide. The blossoms measure 1 1/4 inches wide by 3/4 inch tall. The earrings measure 1 1/2 inches from top of blossom to bottom by 3/4 inch wide. The total weight is 245.0 grams.CONDITION: Good for their age with normal wear and minor imperfections expected. Please look closely at the pictures as they are an important part of our description and are hereby incorporated into the description, specifically with regards to condition.

goodoletom.com

1879-S Rev '78 Morgan Dollar AU