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theaters.jp

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dramamiru.com

水龍吟(すいりゅうぎん)ネタバレ感想記事です #レオ・ロー #ファン・イールン #シュー・ジェンシー #バイ・シュー #シャオ・シュンヤオ #アオ・ズーイー #中国ドラマ #華琉ドラマ #古装ドラマ #水龙吟 #羅雲熙 #方逸倫 #徐正溪 #白澍 #肖順堯 #敖子逸

cinemart.co.jp

アジアカルチャーメディアcinem@rtは、韓国・中国・台湾などのアジアドラマ＆映画の最新ニュース、インタビューからアジアの文化やライフスタイルまでお届けします。毎月1つのテーマを深堀りした特集も。

nitteleplus.com

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bs11.jp

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milestonefilms.com

Buy the DVD or Blu-ray Lionel Rogosin’s 1959 powerful classic Come Back, Africa is one of the bravest and best of all political films. After witnessing firsthand the terrors of fascism as a soldier in World War II, Lionel Rogosin vowed to fight against it wherever and whenever he saw it reemerging. In an effort to expose “what people try to avoid seeing,” Rogosin travelled to South Africa and secretly filmed Come Back, Africa, which revealed the cruelty and injustice suffered by black and colored peoples under apartheid. Before beginning the production of Come Back, Africa, Rogosin spent several months touring Africa, becoming accustomed to the way of life in South Africa and acquiring a sense of the apartheid government’s sensitivity to anti-government “conspiracies” — such as the very film he wished to create. Much of Come Back, Africa was filmed in Sophiatown, a ghetto reserved for blacks and a vibrant center of music, art, literature and politics that has since become legendary. Residents included Desmond Tutu, Nelson Mandela, Father Trevor Huddleston, Hugh Masekela and three of the film’s main contributors – author/journalists Bloke Modisane and Can Themba and the already celebrated singer, Miriam Makeba. But even as they filmed, Sophiatown was already in the process of being demolished and its residents forcibly removed. Shortly after production ended, Sophiatown was emptied, razed and rebuilt as a whites-only suburb called Triumf. (Makeba, later known world-wide as “Mamma Africa,” helped popularize “Meadowlands,” a song against the forced removals, and in 1959 recorded “Sophiatown is Gone.”) In making Come Back, Africa, Rogosin’s goal was to reveal the harsh injustice of apartheid. In order to make a film that honestly and accurately portrayed the life of people in Sophiatown (as he did with his first film, On the Bowery), the filmmaker spent almost a year meeting with activists and writers, both black and white. Rogosin cast the film before writing the

motionbolt.com

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rialtodistribution.com

The never-been-told true story of Lance Sergeant Haane Manahi, a World War II soldier of extroardinary courage. Lance Sgt. Manahi DCM (Te Arawa, Ngāti Raukawa) of B Company, 28th Māori Battalion, was pivotal in the 1943 battle for the fortified […]

yoshimoto-me.co.jp

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