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visualaids.org

Visual AIDS, ONE Archives at the USC Libraries, the Museum of Contemporary Art Los Angeles, and the UCLA Chicano St...

mackenzie.art

Saskatchewan’s oldest public art gallery, with a focus on Indigenous and contemporary art, contextualized through historic and international work.

charlessaatchi.com

Even a show-off like me finds this new, super-rich art-buying crowd vulgar and depressingly shallow. Being an art buyer these days is comprehensively and indisputably vulgar. It is the sport of the Eurotrashy, Hedge-fundy, Hamptonites; of trendy oligarchs and oiligarchs; and of art dealers with masturbatory levels of self-regard. They were found nestling together in […]

pilarcorrias.com

Explore the work and career of artist Christina Quarles. Artworks, exhibitions, press and more.

mizuma-art.co.jp

OKUDA Yuta's solo exhibition "Quiet Gratitude" will be

fieldprojectsgallery.com

Show 47 DEEP STRETCH Curated by Sara Salamona and Tyler Lafreniere

holbornstudios.com

Studio Hire London at the famous Holborn Studios, the number one photographic and film studio based in London N1

1ne3.org

ARTSPACE at Untitled is an environment designed to stimulate creative thought and new ideas through contemporary art. We are committed to providing access to quality exhibitions, education programs, performances, publications, and engaging the community in dialogue and a collaborative creative exper

twinpalms.com

I started taking photographs as a teenager, nearly twenty-five years ago. Since then my work has been an ongoing meditation around desire, loss, and the role of photography as a vehicle for remembrance. My pictures often function as metaphors for the way the mind works: simultaneously collecting images while letting others go, fading in the way memories fade, and alluding to the fact that, historically, photographs have faded as well. — Bill Jacobson twin palms publishersnovember 199810 x 12 inches112 pages49 tritone plates