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♡♡♡ Check out my channels & sites!!! Here: https://milomoire.com/links Click and join now!!! ___________________________ ♡ Instagram @milomoire | http://instagram.com/milomoire ♡ Twitter @milomoire | https://twitter.com/MiloMoire ___________________________ The spectacle is inspired by the art installation "Fettecke" ("enormous corner", 1983) by Joseph Beuys in apartment trio of the Kunstakademie Düsseldorf, Germany. It was a controversial arrangement of butter mass in his studio. After Beuys death, the "Fettecke" was eliminated in 1986 by the caretaker. A scandal that made this one of the most prominent works of the artist. Since then, the telling circulated on everyone's lips, whether secretly murmuring or as a direct reaction in the face of the ambiguity of a questionable chunk of art: "Ist das Kunst oder kann das weg" ("Is this art or can I tidy up"). With the well-known sentence on the nude bod "Ist das Kunst oder kann das weg" Milo Moiré visits the „Rundgang“ (trip) of the Kunstakademie Düsseldorf in 2019. In the so-called hallowed halls, the college girls introduce their work to the general public for 4 days. With the spectacle Milo Moiré embodies with self-irony the fundamental misunderstanding of the artist. Not answers but questions sharpen the fresh sight, so the artist. It honors all works of art that were not recognized as such, mocked, disapproved or even wrecked. Die Spectacle ist inspiriert von der Kunstinstallation "Fettecke" (1983) von Joseph Beuys im Raum trio der Kunstakademie Düsseldorf. Es handelte sich dabei um eine damals kontrovers diskutierte Anordnung aus Buttermasse in seinem Atelier. Nach Beuys Tod wurde die "Fettecke" im Jahre 1986 vom damaligen Hausmeister entfernt. Ein Skandal, der dieses Werk zu einer der bekanntesten Arbeiten des Künstlers machte. Seitdem kursiert der Spruch in aller Munde, ob heimlich flüsternd oder als direkte Entgegnung in Anbetracht der Ambiguität eines fragwürdigen Kunstwerkes: "Ist das Kunst oder kann das weg"