Top 10 immersivesoundscapes.com Competitors

dpamicrophones.com

The 4097 CORE+ Micro Shotgun Mic offers a highly-directional pick-up pattern as well as low self noise and high sensitivity. The mic is capable of handling high SPLs.

kloverproducts.com

The KLOVER MiK parabolic microphone line of products deliver crystal-clear audio from 5 to 500 feet. Perfect for sports, filmmaking, broadcast journalism and more. Click for more info!

sontronics.com

Overhead microphones play a vital role in shaping the overall sound and stereo image of your drum recordings. Even if you have close mics on every drum, it’s often the overheads that define how the listener perceives the kit. They capture the shimmer of the cymbals, the crack of the snare, and the balance between different elements, while also preserving the natural ambience and character of the room. A well-placed overhead pair can also serve as a valuable phase reference point when aligning the rest of your drum mics. Without good overheads, your kit can sound disconnected or unnatural, no matter how many individual microphones you’ve used. Best Overhead Microphones for Drums When it comes to choosing the best overhead mics, your decision should reflect the style of music you're recording and the overall tone you're aiming for. For a warm, natural sound with smooth top-end and a beautifully realistic stereo image, the Sontronics APOLLO 2 stereo ribbon mic is a top choice. Its figure-of-eight ribbons deliver an open, organic feel that’s perfect for jazz, acoustic recordings, orchestral drums, or anything where character and nuance are key. If you’re after a cleaner, more focused overhead sound, especially for genres like pop, indie, or modern rock, the Sontronics STC-1S stereo pair is a fantastic option. These matched small-diaphragm condensers provide clarity and precision, and they work brilliantly with various stereo techniques including X/Y, ORTF, or spaced pair configurations. They give you control and flexibility, whether you're capturing wide cymbal spread or a tighter stereo image. A personal favourite setup for many engineers is the Glyn Johns technique, which uses just two overheads for a full kit picture. In this approach, the Sontronics ORPHEUS really shines. Its large-diaphragm multi-pattern design gives it versatility and character, making it ideal for this classic setup. Placing one ORPHEUS above the snare and the other over the floor tom delivers a

rycote.com

Customise and upgrade your Rycote basket windshield with dedicated accessories. Improve handling, isolation and usability in the field.

cloudmicrophones.com

The Cloud 44-A Ribbon Microphone provides a smooth and natural sound tailored to vocal and instrumental recording.

countryman.com

New hires reflect growing demand for innovative products and a commitment to the future of professional audio   Menlo Park, CA – August 2019… Countryman Associates, recognized globally as a leading manufacturer of miniature microphones and direct boxes, is pleased to announce the recent Design Engineer appointments of Brian Hillenbrand and Benjamin Lacasse. These new …

unitedstudiotech.com

Gear with a Detailed Difference.

3diosound.com

Feedback is a phenomenon that occurs when a microphone picks up sound from a speaker while that speaker is playing sound from the microphone, thus creating a loop. It is commonly described as a signal feeding back into itself. Feedback commonly occurs during live performances or wherever there are speakers broadcasting.

ypamicrophones.com

Beige or Black Color Replacement Cable is designed for use with the Countryman E6 and E6i earset microphones. It can be used to replace a cable in the event of a short or break and is an alternative to replacing the entire microphone. It features a snap-on design that has Various connectors to choose for use with different wireless bodypack transmitters.