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adelantemagazine.com

Article: Al Ballesteros/Pepe T. |Photos by: Photo by: Yoels Rodríguez | IG: @yoelsrodriguezfoto Andry Hernández Romero was released from the El Salvadorean prison CECOT on July 18, 2025. He survived 125 days in a maximum-security prison, “the worst of the worst”, a horrendous experience and something to which he should have never been subjected. When the community and world learned that Andry Hernandez had been deported from the United States to a maximum-security detention center in El Salvador constructed largely for terrorists, it felt very wrong on many different levels. As the facts emerged and photos of him were circulated, they told the story of an openly gay hair and make-up stylist holding brushes posing with models which he painted. We soon learned that Andry had traveled to the United States seeking asylum because of problems he had while working as a makeup artist at a Venezuelan government-affiliated TV network. Mainly, he suffered harassment for being openly gay and other reasons. The more we heard, especially as members of the LGBTQ community and our allies, more disbelief set in. You see, Andry seemed to do everything right, he followed directions for an asylum application in that he entered his information into the State Department’s on-line system and requested a date to present his case, exactly how he was supposed to. He showed up for an interview with officials on August 29, 2024 at the San Ysidro border crossing with Mexico and was placed in a migration center waiting for further follow-up. But that follow-up never came and after being there for several months, and with no alleged criminal record, on March 15 he was deported to a jail in a country he had never known. Andry was actually accused of being a gang member because of tattoos he has on his arms. But according to him, the tattoos symbolized the Three Kings or Reyes Magos in Christian teachings and also display the names of his mother and father. But none the less, he was grouped togethe

contentedtraveller.com

Six nights on board a luxury hotel barge is a French Odyssey indeed. We were on board the luxury hotel barge Anjodi, operated through European Waterways. This is an all-inclusive cruise along the Canal du Midi in Southern France, a World Heritage site in the Languedoc area.  It is all about relaxing, with a large […]

malatintamagazine.com

CAMERA WORK presenta las nuevas 20 obras del fotógrafo David Yarrow quien capta al mundo animal, Cindy Crowford y Cara Delevingne

mantenlosimple.com

El espejo no miente y la sombra nunca se aleja Ojalá pudiéramos tener plena consciencia del valor de cada encuentro, de lo que eso nos mostrará, de lo lejano que se verá cada momento una vez que vo…

revistamate.com.ar

El reduccionismo terapéutico deja a la imaginación un lugar utilitario que neutraliza el potencial revolucionario de los psicodélicos.

gethegoods.com

THE GOODS reviews Curtain Bluff, an award-winning Relais & Chateaux hotel in Antigua. Classic Caribbean laidback luxury.

stingingfly.org

The Climate Issue Contents Climate Roundtable: Where Do We Go From Here? Catherine Cleary, Dr Nessa Cronin, Saoirse Exton, Pádraic Fogarty and Kenneth Keavey Fiction June Caldwell | ‘Night of the Big Wind’ Gavin Corbett | ‘Dry Pink’ Rosemarie Geary | ‘Rue’ Freddie McKee | ‘Her Father Had a Bonsai Tree’ Liadan Ní Chuinn | ‘I Want You to Live’ Louisa Owen | ‘The Man in the Maas’ Nandini Rawat | ‘Tulipa’ Joca Reiners Terron | An extract from Death and the Meteor (translated by James Young) Ariel Saramandi | ‘Home-making’ John Saul | ‘Dresden’ Poetry Sean Borodale | Two poems Zoë Brigley | Two poems Alicia Byrne Keane | Two poems Lorraine Carey | ‘A Meditation’ Karan Chambers | ‘in the queue for the end of the world’ Patrick Chapman | ‘Shelter’ Simon Costello | ‘Bog Elegy’ Ginny Darke | ‘Moss Psalm with Feedback’ Vona Groarke | ‘Driver’s Song’ David Nash | Two poems Tom Nutting | Two poems Beth Piatote | ‘nú·nim ’anoqónma / our ancestors’ Jane Robinson | Two poems Innas Tsuroiya | ‘Ornithoptera sp.’ Grace Wilentz | Excerpts from Snow Cats and Me Comhchealg Ceaití Ní Bheildiúin | 'Taiséadach don gCruinne' (translated by Ellen Corbett) Simon Ó Faoláin | 'Aisling' (translated by Billy Ramsell) Non-fiction Alice Cappelle | ‘The Dark Mountains Bloom’ Claire Carroll | ‘A Thousand, Thousand Slimy Things’ Mia Gallagher | ‘Two Wheel Better?’ Ella Gaynor | ‘What About Rain?’ Gus Mitchell | ‘Oilstory’ Peter Murphy | ‘The Potions That We Made Touched the Creatures Down Below' Philip Ó Ceallaigh | ‘Ten Reflections on the End of the World’ Artwork Robert Ryan Cover Design Eimear Gavin

panos.co.uk

Privacy Policy SECTION 1 – WHAT DO WE DO WITH YOUR INFORMATION? When you purchase images from our site after registering an account we store the personal information you give us such as your name, address and email address. When you browse the site, we also automatically receive your computer’s internet protocol (IP) address in order to provide us with information that helps us learn about your browser and operating system. Email marketing: We only send you email marketing if you opt in to our newsletter while signing up or if you request to be added to our mailing list. SECTION 2 – CONSENT How do you get my consent? When you provide us with personal information to complete a transaction, verify your credit card, place an order, arrange for a purchase, we imply that you consent to our collecting it and using it for that specific reason only. If...

meetmeatmikes.com

Pip Lincolne's good stuff for nice people blog!