auditionforum.com 的前十大競爭對手

auditioncafe.com

Part 1 of a two-part interview with flutist, activist, and mentor Elizabeth Rowe, who shares how the pandemic has changed her approach to her flute-playing and other aspects of her creative life.

orchestraauditions.com

Find the most up-to-date violin auditions on OrchestraAuditions.com. Explore our audition listings for orchestras and ensembles in one convenient place.

backstage.com

find and apply to over 5,000 casting calls, auditions and roles on backstage, the most trusted platform for actors and models. start and get cast today!

violinist.com

It's one thing to play softly, but there is an art to projecting the feeling of intimacy out to a concert hall. This is one of the concepts that violinist Donald Weilerstein discussed on the third day of the Starling-DeLay Symposium on Violin Studies. Weilerstein earned his bachelor's and master's degrees at Juilliard in the 1960s, played for 20 years in the Cleveland Quartet and has served on the Juilliard faculty since 2000. He also talked about posture and sound production, offering concepts of balance and energy grounded in practices such as tai chi and yoga. Those concepts can get a bit esoteric, even seeming a little off-topic. But let's not forget: violin playing is both a physical pursuit and a practice that requires uncommon devotion. In that context, we certainly can use some sound body-mind advice, and Weilerstein, at age 85, has been honing his message for many years! Weilerstein's ideas about projecting intimacy were in response to the day's first performance, by student artist Josh Liu, who played the first movement of Bernstein's "Serenade, after Plato's Symposium." Liu, a master's student at Yale University, played the very exposed opening to this movement with excellent control, with a good mix of vibrato and non-vibrato. He also not only hit the insanely high A but also applied vibrato here. (Symposium Artistic Director Brian Lewis had spoken of that note in his pedagogy class the day before, commenting that it's so high, "it's actually here..." reaching all the way behind his head!) The movement eventually evolves into an elegant dance, and here the music started feeling a little internal - or to say it more simply, too quiet to let the audience in. Weilerstein addressed this by going straight to the fundamentals: he had Josh play a scale, then asked him where he felt the sound. The answer: his chest. Weilerstein wanted him to think more like

classicalvoiceamerica.org

By Kyle MacMillan BREAKING NEWS – Composer Ellen Reid’s first opera, a searing work about the traumatic effects of sexual assault, has received the third annual Award for Best New Opera from the Music Critics Association of North America.

lvphil.org

Music. Culture. Education.

aso.org

Join us as we celebrate our 4th Annual Day of Giving to commemorate the ASO’s first performance and the great community that has made our home for 78 years.

laphil.com

The Los Angeles Philharmonic Association (the "ASSOCIATION") knows that you care how personal information you provide to us is used and shared.

ncsymphony.org

North Carolina Symphony volunteers are essential in helping us fulfill our mission and serve our audiences. Volunteers assist with education programs, provide support to NCS staff members, and serve as ambassadors at events. Plus, they have a great time while doing so! How You Can HelpAs a volunteer, you’ll determine how often you are able […]