Les 10 concurrents colf.org les plus visités

citymusicsociety.org

city music society concerts calendar

timeout.com

All of our Market content, all in one place

barbican.org.uk

The Barbican sparks creative possibilities and transformation for artists, audiences and communities – to inspire, connect, and provoke debate.

cityoflondonsinfonia.co.uk

One hundred and six productions over all twenty years – you could say I know a thing or two about Opera Holland Park. It’s the last night of a season very early on in the orchestra’s time with OHP, and we’re all waiting anxiously for Mike Volpe to give his traditional wrap-up speech to the entire audience cast and crew. Silence. We, CLS, are unsure whether we’ll be invited for the next season, and so when he finally gets to the bit about the orchestra, he gives us a sly smile then says that he will be welcoming us back. He then turns dramatically towards me, and says “except for the bloody horns” in front of everybody. I jump up in mock indignation and gesture to my section to leave the pit. All in good humour, it was swallowed up in applause and laughter. And delight. [L-R: Mike Volpe, Mark Paine, Tim Caister, Sue Dent, Clare Lintott, James Clutton] A unique delight of OHP, apart from the Arctic blast on the backs of our necks for at least three hours a night, apart from the peacocks at sundown, apart from the knock-your-socks off repertoire singers and productions, and apart from the friendliest most supportive management team led from the top by James Clutton, what grabs me the most is the immediate in-house connection we players have with the singers - soloists and chorus. And even better, thanks to the layout of the “pit”, if I have a solo with say the tenor, more often than not I can have direct eye contact with him as we soar through our phrases together. What other opera house gives you that? And I am convinced it makes me play differently, play better. That’s really special. And unique. Much has been rightly said about OHP’s pioneering and defining verismo repertoire, where they go and others either fear to tread, or simply haven’t a clue. I’ve done about sixteen so-called verismo operas and they’ve all been hair-raising! I’ll never forget doing L’amore dei tre re by Montemezzi in 2007 and 2015. First time round I swear no one took a breath either on stage,

spitalfieldsmusic.org.uk

Astounding live music experiences in East London through annual festivals and events, learning and participation. Provide news, details of events, ways to get involved and contact details.

mintstreetmusicfestival.wordpress.com

Mint Street Park is in Borough, Southwark SE1. You can enter the park from Marshalsea Road, Southwark Bridge Road or from Mint Street. Tube: Borough Underground Station (Northern Line) is about 5 m…

christophermaxim.co.uk

I offer schools a rich range of coaching and other support that includes: Mentoring/advice/action planning for struggling departments Departmental Reviews   help for even the most successful...

citychamber.org.uk

This website is for sale! citychamber.org.uk is your first and best source for all of the information you’re looking for. From general topics to more of what you would expect to find here, citychamber.org.uk has it all. We hope you find what you are searching for!