Top 10 prg-proshop.com Competitors

tjclp.com

TIDI is a manufacturer of safety products for hospitals.

prg.com

prg is the world’s leading production & av company in entertainment & live events, working across every technical & production specialty.

acmelighting.com

acme

gearsource.com

The Fujinon CFH-3 is not just a focus grip; it's a tool that empowers you with precision focus control, enhancing the quality of your video production.

gearsupply.com

Buy and sell used pro audio, video, and lighting equipment on Gearsupply's pro AV gear marketplace. For everyone from your local sound guy to Major League stadiums, Gearsupply is the easiest and most affordable place to buy and sell AV equipment online.

jlmaudio.com

Stock Level 30 BA500 Ver2 mic pre kit comes complete with every part down to the last nut and bolt. You only need to pick the options for Input and output transformers, Opamp and DI input when ordering. Now with 2 BA500 pcb options. Standard BA500v2 PCB takes large JLM111PCB output transformer or NEW BA500v2503 takes JLM2503 or API2503 or any clone 2503 output transformer. BA500v2 mic pre kit uses 1 of our discrete opamps (New +/-16v version) to provide 60dB of gain. It is aimed at getting big but realistic vocals and acoustic instruments like our Dual99v500 but BA500 can only do 60dB of gain. With the impedance control 200 to 3k it goes from dark and slow to airy and fast tone wise. A centre detent at Z is the best starting point. Also has large fully buffered white LED backlit 34mm VU meter showing output level. Big Vocals and acoustic instruments mic pre (Cut down version of our Dual99v) VTX input transformer + JLM99v opamp + JLM111PCB output transformer. Fat Drums, Bass & synth mic pre JLM14 input transformer + JLM99v opamp + JLM111PCB output transformer. API style mic pre JLM14 input transformer (wired 1:8) + Twenty 5 Twenty SMD opamp + JLM2503 output transformer. BA500 Step by step Build Thread here Sound Samples I am not a big fan of samples because if you didn't hear the original instruments sound in the studio with your own ears then really you don't have a true point of reference to gauge the samples against. These samples are more to show the difference between the Dual99v500 and TG500. All instruments were recorded by Matt Redlich with no EQ or compression. Pres had Impedance left centred in the Z detent and no HPF. Pres were used in their cleanest mode with output trim not pulled to allow for gain overdrive. Drums - Colin O'Reilly. Acoustic Guitar - Ben Stewart. Electric Guitar - Greg Cathcart. Drum kit -> Pearl Masters Mahogany Classic 4-piece kit with Zildjian New Beat hats and a Zanki ride with mostly Remo single-ply heads. Drum Fill D

usedlighting.com

The NEW Le Maitre GForce 1 Smoke Machine is an entry level, high powered, continuous flow, water based fog machine in Le Maitre’s GForce range, built on the core technologies of the G300. Designed for reliable, continuous output, it is a practical choice for stage and film work, sporting events, theme parks, and fire safety training where consistent atmospheric effects matter. Continuous Output Control (Varitime Remote Option) The GForce 1 supports continuous flow capability and is used with an additional remote control, the Varitime. This control option lets you fine-tune the amount of fog produced, along with the timing of your effects, including burst duration (0 to 30 seconds) and interval timing (0 to 20 minutes). In day-to-day use, this makes it easier to match fog density to a cue, camera shot, or venue size without over-filling the space. Output, Fluid Use, and Runtime With a maximum fog output of 19,000 cbm/hr, the GForce 1 is built for applications that need noticeable coverage across larger areas. Fluid consumption is rated at 0.75 cc/s (continuous) and 3 cc/s (burst), translating to approximately 90 minutes per 4 L or 112 minutes per 5 L, depending on how you run it. DMX and System Integration Standard and DMX models are available. The DMX version uses 1 DMX channel, which helps simplify patching and cue control when integrating the unit into a lighting console workflow. Practical Design for Event and Production Use A removable external bottle carrier supports straightforward fluid handling and quicker changeovers between runs, which can be especially helpful in live events, training environments, or back-to-back set days.

coloursound.com

Lighting and video rental, design and installation for special events, launches, festivals, tours & conferences in the UK and worldwide.

pmc1.com

Factors to Consider When Choosing The Right Pressure Sensor

calrec.com

Calrec is a leading manufacturer of audio broadcast mixing equipment. More on why broadcasters have relied on Calrec for 60 years and counting