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Helios Location Light Pre-Vis im Vergleich zu Cadrage Director's Viewfinder Nutzung und Statistiken

The greatest challenge faced ny photographers and cinematographers when shooting on location is predicting where the sun, moon or stars might be at any given moment, to create the best visual effect. It's a time critical process, to be in exactly the right place, at exactly the right time. It might be predicting where the sun will set behind a wide shot of Manhattan on a particular day... It might be planning when to shoot the moon so it perfectly backlights the ocean... It might be to schedule where the Milky Way might be at its brightest at the edge of the Sahara Desert... Helios is the one tool you need to plan in any of these situations. Included in Helios are a number of tools suitable for different situations: Live View This allows you to see a camera overlay showing where the sun might appear through a window. Just frame up the shot you want to do, and observe where the sun might be at any time, on any day in the future. Street View The position of the sun on any future day is mapped over the 360º images in Google Street View. Virtual Stand-Ins of people, animals & vehicles can be placed to view how the sun or moon might light them. MapView This is graphic representation of the position and height of the sun on a top-down map. Great when planning multiple shots in a specific location throughout a shooting day. 3D Landscape View Using modeled 3D landscapes, the path and character of the sun can be visualized during the course of a day. Again, Virtual -Stand-Ins can be used to help visualize how light might make subject look different at various times during the day. 3D Building View Using the same tools as 3D Landscape view, this is for use in urban settings, where building throw shadows, depending on where the sun might be at any given time. Underwater View Helps predict the way light reacts when shooting beneath the waves. From our users.... Craig Wrobleski CSC Cinematographer FUBAR, A Man in Full, Matlock,The Umbrella Academy, Fargo, Legion, In the Tall Grass, X-Files “Both Artemis Pro and Helios Pro have become indispensable tools for me. Artemis is the most effective way to find common compositional ground with directors and camera operators, and is especially great for large format cameras like the Alexa 65 and the LF. Helios Pro is invaluable for scouting and scheduling the day to chase the light and capture it. The new features in Helios Pro mean you can be in a meeting and show everyone how the light will travel in a 3D rendering of an exterior location on the exact day we plan to shoot. I can’t imagine working without these tools.” Robert McLachlan ASC, CSC Cinematographer/Director American Gigolo, 1923, Yellowstone, Landman,Ray Donovan, The Affair, Game of Thrones, Westworld “On Game of Thrones we often scouted locations months in advance...it was critical in the down to the minute schedule planning we made for the Dance of Dragons sequence...with Helios you’re way ahead of the game in both prep and on set.” Oliver Curtis BSC Cinematographer Urban Myths, Hamlet Within, A Little Life, ,The Wedding Date, Death at a Funeral, Owning Mahowny, Vanity Fair "Helios has become an indispensable tool in my work... With the addition of AR in Helios Pro the level of preparedness for all departments is that much higher. With today’s budgets and schedules this level of information accuracy is invaluable.” Gary Varney Gaffer Eternals, The King's Man, Wicked,The Deep Blue Sea, Sexy Beast / Gaffer 2nd Unit Jack Ryan, Kick Ass, American Assassin “Helios just blows you away. To have the ability to overlay 3D models of people, buildings or vehicles to see just how the light falls on them throughout the day is incredible. I highly recommend Helios." Mairzee Almas Director Monarch: Legacy of Monsters, Jessica Jones, Y: The Last Man, The Sandman,iZombie, Guilt, 12 Monkeys, The Last Ship, Smallville "I use both Artemis and Helios when scouting and find them both invaluable tools for prep."
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Cadrage Director's Viewfinder - the app that will transform the way you work. Cadrage allows you to line up your shots with precise framing previews of any professional camera/lens combination and make sure everybody is on the same page during preproduction and on set. ◈◈◈ Planning your shoot has never been easier. Download Cadrage now and see how it will change the way you work. ◈◈◈ FEATURES ● Accurate previews for thousands of cameras and lenses ● Save photos and record videos ● Add custom framelines in any aspect ratio ● Built-in gallery & project manager ● Create neat PDF shotlists and directly upload to Dropbox or send via email ● Manually control exposure, focus & white balance ● Professional 3-way color correction to pre-visualize the final look ● Supports dual and triple camera devices ◈◈◈ Communicate your vision to your team. Download Cadrage now and get the most out of your shooting day. ◈◈◈ ◆ CINE CAMERAS ◆ AJA Cion ARRI Alexa 35, Alexa 65, Alexa Classic, Alexa LF, Alexa Mini, Alexa Mini LF, Alexa SXT, Alexa XT, Amira, D-21 Blackmagic Cinema Camera, Micro Cinema Camera, Micro Studio Camera 4K, Pocket Cinema Camera, Pocket Cinema Camera 4K, Pocket Cinema Camera 6K, Pocket Cinema Camera 6K Pro, Production Camera 4K, Studio Camera 4K, Studio Camera HD, URSA, URSA (Broadcast), URSA 4.6K, URSA Mini 4.6K, URSA Mini 4K, URSA Mini Pro, URSA Mini Pro 12K, URSA Mini Pro 4.6K G2 Canon C100, C100 Mark II, C200, C300, C300 Mark II, C300 Mark III, C500, C500 Mark II, C70, C700 Digital Bolex DJI Zenmuse X7 Film 16mm, 35mm, 65mm/70mm, 8mm Freefly Systems Wave Generic Broadcast Ikonoskop A-cam dII Kinefinity KineMAX, KineMini, Mavo, Mavo Edge, Mavo LF, TERRA Panasonic AF101, BGH1, EVA1, HDX 900, VariCam 35, VariCam LT Panavision DXL, DXL2, Genesis Phantom 65, Flex, Flex4K, HD GOLD, Miro LC321S, v2640 ONYX, VEO4K-PL PS-CAM X35 RED Dragon-X, Epic Dragon, Epic-W (Helium), Epic-X, Gemini, Komodo, Monstro-VV, One, Ranger (Gemini), Ranger (Helium), Ranger (Monstro), Raven, Scarlet-W (Dragon), Scarlet-X, Weapon (Dragon-VV), Weapon (Helium) Silicon Imaging SI-2K Sony F23, F3, F35, F5, F55, F65, F900, FS100, FS5, FS5 Mark II, FS7, FS7 Mark II, FS700, FX3, FX6, FX9, HDC-1500R, Venice Weisscam HS-2 Z CAM E2, E2-F6, E2-F8, E2-M4, E2-S6, E2G ◆ PHOTO CAMERAS ◆ Canon 1000D/XS, 100D, 10D, 1100D/T3, 1200D/T5, 1300D/T6, 1D, 1D C, 1D Mark II, 1D Mark III, 1D Mark IV, 1D X, 1D X Mark II, 1D X Mark III, 1Ds, 1Ds Mark II, 1Ds Mark III, 200D/SL2, 20D, 30D, 350D/XT, 400D/XTi, 40D, 450D/XSi, 500D/T1i, 50D, 550D/T2i, 5D, 5D Mark II, 5D Mark III, 5D Mark IV, 5DS, 600D/T3i, 60D, 650D/T4i, 6D, 6D Mark II, 700D/T5i, 70D, 750D/T6i, 760D/T6s, 77D, 7D, 7D Mark II, 800D/T7i, 80D, 850D/T8i, 90D, M50, R, R5, R6, Ra, RP Film (Still) 35mm (135), APS, Large Format, Medium Format, XPan Fujifilm GFX 100, GFX 100S, GFX 50R, GFX 50S, X-A7, X-H1, X-Pro2, X-Pro3, X-S10, X-T2, X-T200, X-T3, X-T4, X100V Hasselblad Digital Medium Format Leica CL, M10/M10-R, M8/M8.2, M9/M9-P, S, S2, SL, SL2, SL2-S Mamiya Leaf Credo Series Nikon D1, D100, D1H, D1x, D200, D2H, D2Hs, D2x, D3, D300, D3000, D300s, D3100, D3200, D3300, D3400, D3s, D3x, D4, D40, D40X, D4s, D50, D500, D5000, D5100, D5300, D5500, D5600, D60, D600, D610, D70, D700, D7000, D70s, D7100, D7200, D750, D7500, D80, D800, D810, D850, D90, DF, Z50, Z6, Z7 Olympus E Series Panasonic GH1, GH2, GH3, GH4, GH5, GH5S, S1, S1H, S1R, S5 Pentax 645D, 645Z, K Series Phase One Achromatic+, IQ Series, P 30+, P 40+, P 45+, P 65+ Sigma fp, fp L, SD1, SD15 Sony A290, A390, A450, A580, A6000, A6300, A6500, A6600, A7 III, A7C, A7r II, A7r III, A7r IV, A7s, A7s II, A7s III, A850, A9, A9 II, A900, A99, SLT-A37K, SLT-A57, SLT-A65, SLT-A77
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Helios Location Light Pre-Visvs. Cadrage Director's Viewfinder Ranking-Vergleich

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Helios Location Light Pre-Vis VS.
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Januar 9, 2026