iVCS3 im Vergleich zu Mariana Bass Synthesizer Nutzung und Statistiken

iVCS3 Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case. The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3. Description The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together. Keyboards controller DK1 keyboard controller Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released. (See: en.wikipedia.org/wiki/VCS3)

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Mariana Bass Synthesizer

Mariana is a new software bass synthesizer from Moog Music capable of reaching the deepest depths of low-end tone and weight. Moog has long been a pioneer in electronic bass, from the iconic Minimoog Model D to the Taurus Bass Pedals, Sub Phatty, and Minitaur. Mariana continues this tradition in the form of a groundbreaking software synthesizer for iOS, MacOS, and Windows. Optimized for vibrant bass sounds that sit perfectly in the mix, Mariana is a powerful tool for artists and musicians across all genres and workflows. Mariana is a dual-layer synthesizer, allowing you to mix together two completely different synthesizer sounds and process each layer individually. Each layer is built around two oscillators with precise and inventive controls to dial in your bass tone to make it punch through a mix and stand out from the rest, with a sub-oscillator adding even more low-end weight. Two resonant Moog filters and a third filter specifically for the sub-oscillator let you shape your sound, adding warmth while rolling off high frequencies or pushing up the resonance for added bite. With stereo crossover functionality, Mariana is optimized for quickly dialing in stereo content while simultaneously preserving a strong mono bass foundation. Warm saturation and a tight compressor add extra punch to your bass lines while an illuminating real-time metering section lets you monitor your sounds and dial them in to a professional standard. Flexible built-in delay and chorus effects operate on separate layers and can expand the stereo image of your sounds or preserve a solid mono signal. Whether designing your own bass tones from scratch or using one of the 200 included presets as a starting point, Mariana is an accessible and versatile tool for any modern production environment. Mariana is fully equipped with three LFOs, three envelopes, and two random generators per layer and a creative and extremely deep modulation editor. Nearly every parameter of Mariana can be modulated internally, via MIDI, or via virtual CV from the Moogerfooger Effects Plug-ins, and Mariana's modulation sources can be sent to and received from the Moogerfoogers for a self-contained modular Moog ecosystem right in your DAW. With an optimized user interface and seamless integration into any DAW (digital audio workstation), Mariana is the most accessible way to add the unmistakable Moog bass sound to your productions. Features: • Modern Moog Bass: Mariana pulls from the lineage of classic Moog bass instruments to deliver a new bass synthesizer with cutting-edge features for sculpting powerful bass lines. • Dual Layers: Two separate synthesizer layers allow for complementary sound stacks or independent duophonic playing that can be mixed together. • Deep Modulation: A vast array of modulation sources, destinations, controllers, and functions with a deep mod matrix editor allow for complex modulation of nearly every parameter of Mariana. • Intuitive Interface: A beautiful, resizable, and user-friendly interface gives you effortless control over your bass sounds. • Metering and Compression: Built-in effects, compression, and metering let you add punch to your bass sounds and dial them in to a professional standard. • Interconnectivity: Mariana can interact with the Moogerfooger Effects Plug-ins via virtual CV, creating a modular Moog ecosystem right in your DAW. • Flexibility: Mariana can be used as a standalone app or a plug-in inside your favorite DAW, supporting powerful AUv3 compatibility. • Preset Library: A vast library of presets covering a wide range of musical styles and genres provides a starting point for users to dive right into musical creation - or transform stock presets into something completely unique. Supports: • AUv3 Audio Unit Extensions • MPE Controller Support • 7 and 14-Bit MIDI • MIDI Program Change Support • Share over Mail or other iOS applications