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musicalchairs.info

Create an account for musicalchairs - the world's leading online resource for classical music professionals.

violinonline.com

violinonline.com offers free violin sheet music and free online violin lessons and violin instruction for all ages. learn how to play the violin online with a review of violin basics such as how to hold the violin and bow, violin notes, violin fingering and violin tuning; strengthen playing with free violin scales and free violin exercises; explore our self-guided free violin string class; and play our free violin sheet music and free violin christmas music.

theviolinsite.com

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violinist.com

It's one thing to play softly, but there is an art to projecting the feeling of intimacy out to a concert hall. This is one of the concepts that violinist Donald Weilerstein discussed on the third day of the Starling-DeLay Symposium on Violin Studies. Weilerstein earned his bachelor's and master's degrees at Juilliard in the 1960s, played for 20 years in the Cleveland Quartet and has served on the Juilliard faculty since 2000. He also talked about posture and sound production, offering concepts of balance and energy grounded in practices such as tai chi and yoga. Those concepts can get a bit esoteric, even seeming a little off-topic. But let's not forget: violin playing is both a physical pursuit and a practice that requires uncommon devotion. In that context, we certainly can use some sound body-mind advice, and Weilerstein, at age 85, has been honing his message for many years! Weilerstein's ideas about projecting intimacy were in response to the day's first performance, by student artist Josh Liu, who played the first movement of Bernstein's "Serenade, after Plato's Symposium." Liu, a master's student at Yale University, played the very exposed opening to this movement with excellent control, with a good mix of vibrato and non-vibrato. He also not only hit the insanely high A but also applied vibrato here. (Symposium Artistic Director Brian Lewis had spoken of that note in his pedagogy class the day before, commenting that it's so high, "it's actually here..." reaching all the way behind his head!) The movement eventually evolves into an elegant dance, and here the music started feeling a little internal - or to say it more simply, too quiet to let the audience in. Weilerstein addressed this by going straight to the fundamentals: he had Josh play a scale, then asked him where he felt the sound. The answer: his chest. Weilerstein wanted him to think more like

stringpedagogy.com

violin performance engages the physical, the psychological, and the musical abilities of the player. mimi zweig's fundamental principle of violin teaching, based on natural physical motions nurtured in a non-judgmental environment, embodies all three of these elements of performance. the development of a facile and secure technique begins with physical freedom. this then gives the performer the freedom to play with musical sensitivity and confidence.

violinwiki.org

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slso.org

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joshuabell.com

With a career spanning almost four decades, Grammy Award-winning violinist Joshua Bell CBE is one of the most celebrated artists of our time. He has performed with virtually every major orchestra in the world, and regularly appears as a soloist, recitalist, chamber musician, conductor, and as the Music Director of London’s Academy of St Martin in the Fields.