Nicodim Gallery12月 2025のための市場シェア分析

Æmen Ededéen (Joshua Hagler) (b. 1979, Mountain Home AFB, Idaho) is a first-generation graduate with a graphic design degree from The University of Arizona. A 2018 grant recipient of the Roswell Artist in Residence Program, Hagler has since made New Mexico his permanent home. Currently, he lives with his wife and daughter in the high desert village of Placitas at the foot of the Sandia Mountains.  In recent years, his practice has been guided by an approach he calls Nihil, a set of nine self-imposed principles that have grown out of solitary excursions throughout the state. These principles determine all aspects of the work from its imagery and process, to the media and objects comprising it. Concept and meaning, as such, naturally unfold out of synchronistic experiences occurring over time.   Exhibitions include: The Amber of this Moment, Galeria Nicodim, Bucharest (2025); Mystical Me, Corridor Foundation, Shenzhen (2025); Nihil III: Already Paradise, Nicodim, New York (2024, solo); The Ballad of the Children of the Czar, Galeria Nicodim, Bucharest (2024); Overserved, Miles McEnery Gallery, New York (2024); Focus: Joshua Hagler, Cris Worley Fine Arts, Dallas (2024, solo); Nihil II: Nor The Moon in its Water, Old Jail Art Center, Albany (2024, solo); Arcadia and Elsewhere, James Cohan, New York (2024); Nihil I: I Would Not Speak of the Mountain, Nicodim, Los Angeles (2023, solo); The Descendants, K11 Musea, Hong Kong (2023); MATERNITY LEAVE: NONE OF WOMEN BORN, Nicodim in collaboration with the Green Family Foundation, Dallas (2023);  Joshua Hagler, Devin B. Johnson, Nicola Samorì, Hugo Wilson, Nicodim, Los Angeles (2023); DISEMBODIED, Nicodim, New York (2023); Unmatter, Secci, Milan (2022); The Living Circle Us, Unit, London (2021, solo); Witness or Pretend, Bode Projects, Berlin (2021); Drawing in the Dark, Cris Worley Fine Arts, Dallas (2021, solo); Figure as Form, Hollis Taggart Gallery, New York (2020); Love Letters to the Poorly Regarded, Roswell Museum and