BLEASS Delay vs Eos 2 Uso e estatísticas

BLEASS Delay is the ideal tool for adding depth, movement and interest to your mixes. No matter what style of music you are producing and what instrumentation you are working with, the versatility and ease-of-use of BLEASS Delay helps you achieve perfect results with the minimal of fuss. Echoes are just the starting point for BLEASS Delay. The integrated frequency shifter and dual filter allow deep control over the character and sound of the generated repeats, allowing you to achieve with one plugin sound effects that may otherwise require a complete plugin stack and complex routing. BLEASS Delay also includes three LFOs, one each for the delay engine, the frequency shifter and the filter. As well as allowing the plugin to create classic modulation effects such as chorus and flanging, the dedicated LFOs are ideal for creating exciting sound effects and epic, constantly-shifting soundscapes. BLEASS Delay App is an AUv3 plugin. A Desktop compatible plugin (VST3 / AU / AAX) is also available for Windows and macOS. More information on https://www.bleass.com/delay/

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Eos 2

A long-time studio standard, now finally available for iOS! This is a direct 1:1 port of Audio Damage's Eos 2 desktop plug-in, identical in every way to the Eos you know and love. This download includes an AUv3 App Extension for use in AUv3-savvy hosts like AUM, AudioBus, GarageBand, Cubasis, and Auria Pro. Also included is a stand-alone application with Inter-App Audio. Eos 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos 2 can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos 2 really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos 2 thrives, something that is not possible with convolution 'verbs. Features > Four reverb algorithms designed for Audio Damage by ValhallaDSP, including three separate plate algorithms and our own unique SuperHall, a rich, densely modulated, extra-long hall algorithm designed for ambient and synthesizer music. > Full control over the reverb early reflections and tail, with modulation and equalization control, to sculpt the density and tonal characteristics to your needs. > All presets from the desktop version included, and you can even share presets among all versions of Eos 2 using the copy/paste mechanism. > AUv3 and IAA standard. > Note that Eos 2 is a dense, heavily modulated algorithmic reverb, and as such may be somewhat heavy on the CPU, especially on older devices. For best results, use a single instance as a send.