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Home no longer feels certain. The ground shifts. Safety feels conditional. In an accelerated and fractured world, I find myself returning to one quiet question: where is home now? For me, it begins in Nepal. In Devbhumi, the land of the gods, faith, ritual and daily life coexist without hierarchy. Temples, monasteries, catholic hymns and Sufi music share the same air. The sacred is not ornamental; it is protection, structure, survival. I remember nuns embroidering lace while singing edelweiss through the corridors of my school. I remember temple bells, monks’ chants and shamans’ drums on the walk home. None of it felt contradictory. It felt expansive. It felt magical. I am not nostalgic. I do not look back to linger. I look back to remember who I was when I needed resilience. This collection begins with that discipline. The opening looks resemble uniforms. Sharply tailored suits with high collars and controlled lines that gently hold the body. My interpretation of what my own uniform might have been. A quilted black duffle coat inspired by a nun’s habit and a shaman’s ritual dress follows, protective and grounded. Resilience often begins with structure. Then memory softens the line. I think of the women I grew up watching. Demure in their saris until they hitched them up to dance or to take a stand. There was power in that gesture. Freedom within form. Movement within restraint. That was my first lesson in silhouette. This season is an ode to those women. Lace, guipure and chantilly appear as strength rather than ornament, drawn from both catholic ceremony and sari tradition. In both places, delicacy was not fragility. It was power practised gently. Here, lace becomes a second skin. Chiffon and silk drape and tuck instinctively. Skirts layer over trousers. Tailoring loosens at the waist. Collars soften. Seams curve and encircle rather than cut. Masculine precision meets feminine fluidity, creating silhouettes that feel intimate and quietly assured. The palette deepe