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artbasel.com

Art Basel Qatar debuted in February 2026 as a concisely curated showcase celebrating Qatar’s vibrant cultural landscape and the dynamic arts ecosyste (...)

untitledartfairs.com

Untitled Art is an international, curated art fair that focuses on curatorial balance and integrity across all disciplines of contemporary art.

pamm.org

Este proyecto de investigación y exposición examina una amplia gama de performances y de prácticas performativas de artistas caribeños, o de ascendencia caribeña, que trabajan en la región o sus diásporas. Se trata de un grupo intergeneracional de artistas —desde pioneros en el campo hasta artistas emergentes— que emplean el cuerpo y la acción en vivo para enfrentar de manera crítica las realidades sociales, políticas y culturales de sus respectivos contextos.

ghebaly.com

Mike Kuchar Exhibitions: Mike Kuchar, Show Off, February 28 - March 29, 2025; Mike Kuchar, Big, Bad Boys, June 9 - July 8, 2023; City Fever, Group Exhibition, July 17 - August 7, 2021; Mike Kuchar, Broken Gods, January 4 - February 2, 2020; Bad Peach, Group Exhibition, August 10...

arsenalcontemporary.com

Arsenal Contemporary Art is a private art center and cultural initiative founded in 2011. It is devoted to the support, promotion and development of Canadian contemporary art. | Arsenal art contemporain est un centre d'art privé et une initiative culturelle fondé en 2011. Il se consacre au sout

thehole.com

The Hole is a contemporary art gallery run by Kathy Grayson. Opened in July of 2010, The Hole presents monthly solo and group exhibitions with a focus on emerging art and thematic group shows.

lawrieshabibi.com

Lawrie Shabibi is delighted to announce the first-ever solo exhibition for artist, architect and researcher Dima Srouji titled Charts for a Resurrection, on view 7 May - 20 July 2024. Srouji’s work lies in the expanded context of interdisciplinary research projects. It acts as a form of political commentary and...

lowemill.art

Store Gallery Artwork Merch

edlingallery.com

Paul Edlin: Giant Among Friends February 13 – March 13, 2021 In 1995, I was working for my dad’s food brokerage company, playing gigs with my band at night, and hustling truckloads of grocery items during the day. My old friend from summer camp, Harley Spiller, worked in the arts in Manhattan and had managed to get a grant for my uncle to produce a catalogue on the occasion of an exhibition of his collages at a small college in New England.  We rallied the family to drive up for the opening reception. For Paul and me, it would prove a life-changing event. I had been aware of some small mixed media works of his that had postage stamps in them, and when we were kids there were some still life paintings around the apartment. But I had never seen anything like this. The foyer of the library at Gordon College seemed to be vibrating from the shimmering mosaic collages that had been elegantly installed. Despite being a layperson at that point, I easily imagined that Paul’s work could be appreciated by a larger audience. Being virtually deaf since birth, he was leading an isolated life and didn’t have the tools to get his work out there. So I volunteered. I brought a handful of collages to an art dealer that a food business colleague knew, John Post Lee, who seemed to like what he saw, referring to it as “Outsider Art.” He steered me in a direction and several months later Uncle Paul was in a group show called “Miniature Obsessions” at American Primitive Gallery. Aarne Anton sold 14 of small mixed media works and Holland Cotter wrote a great review in the NY Times, singling out Uncle Paul. At 66, he was discovered. On the surface, given his disability and unusual medium of tiny postage stamp fragments, Paul fell comfortably into the Outsider Art category. In fact, he had taken courses steadily at the Art Students League where his work had been admired by his teacher and mentor, the revered American artist Will Barnet (1911-2012). I met Will at an American Primitive open