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davidkordanskygallery.com

David Kordansky Gallery is a contemporary art gallery with locations in Los Angeles and New York, representing more than fifty artists and artist estates.

vielmetter.com

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honorfraser.com

The Summit for Future Sensitivity brings together seven leading artists in the field of art and technology to present short lectures on creative research and radical-tech imaginaries. During the live-streamed event, each artist will share aspects of their ongoing research and discuss overlapping themes in a public forum. The online webinar will last approximately one … Continued

regenprojects.com

Regen Projects is a contemporary international art gallery located in Los Angeles.

gagosian.com

Learn about the work and career of artist Tyler Mitchell. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.

cherryandmartin.com

Go88 là một trong những cổng game bài đổi thưởng hàng đầu hiện nay, nơi quy tụ hàng loạt trò chơi hấp dẫn cá cược và nhận các ưu đãi hấp dẫn.

antonkerngallery.com

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andrewkreps.com

Andrew Kreps Gallery is a contemporary art gallery located in the Tribeca neighborhood of New York, representing the works of more than 30 international artists and estates.

jamesfuentes.com

James Fuentes Gallery is pleased to present a two-person exhibition featuring April Street and Becca Mann. Both based in Los Angeles, Mann and Street share conceptual parallels in materially distinct practices. Brought together, their works reflect upon the continual transformation of the natural world as it is shaped by tools, mediated by technology, and refracted through the shifting lenses of time and human perception. The exhibition foregrounds a set of temporal inversions to be found with each artist’s work: alternating between light and darkness, forming sequences akin to film strips, and continually moving through cycles of time. April Street’s Four Seasons series (2021-25) comprises large-scale, theatrical watercolor drawings that bring forward two notions of time: the disembodied temporality of imagined space, and real time as marked by the artist’s own body. Each work is bordered by painted impressions of Street’s feet, mimicking clock hands and tracing time as an embodied loop. In this transfiguration, her limbs operate as both tool and subject, floating between the painting’s interior as well as the space beyond the frame. Likewise, Street adapts nature’s four seasons as a shifting psychological and emotional landscape. Street’s series is titled in reference to Alberto Giacometti’s The Palace at 4 a.m. (1932)—a large-scale armature of an interior space inspired by the artist’s relationship with a past lover—drawing out further metaphor for the surreal slippage between states of being and memory. Alongside fragments of her own body, the compositions are filled with studio tools like scissors and knives, which pierce through lush, imagined terrains as if traversing a dream. A continuous vine runs throughout the series, forging a connective thread between these changing images. Echoing the symbolic logic of Flemish Renaissance “world landscapes,” this vine also functions as a kind of umbilical cord, linking acts of hist

participantinc.org

not-for-profit space with contemporary interdisciplinary art exhibitions, performances & readings. 253 e houston st #1, new york, ny 10002