Top 10 music4humans.com Competitors

makemusic.com

Explore the largest interactive and digital sheet music catalog in the industry. Music for all levels, instruments, and ensemble type.

drumeo.com

Sarah Thawer shares one of her favorite Indian rhythms - the rupak - and teaches you how to feel odd time differently.

musicnotes.com

Main Titles from Severance sheet music from Severance arranged for Piano. Instrumental Solo in C Minor. SKU: MN0298378

sheetmusicplus.com

Find exactly what you're looking for using the Sheet Music Plus site map.

flat.io

create, compose, collaborate, play, and print your sheet music using the world's most simple and intuitive web-based music writing and composition software.

drummagazine.com

Amarilys Rios is a percussionist and dancer from Puerto Rico who specializes in Bomba, a dynamic Afro-Puerto Rican tradition in which dancers challenge the drummer to sound out their improvised movements. A graduate of the Conservatorio de Puerto Rico, Rios is musical director for reggaetón singer Tego Calderon and has performed and recorded with innovative Puerto Rican percussionists, including Paoli Mejias and Hector “Coco” Barez. What is your city, country, and age? I’m from Puerto Rico and I’m 35 years young! […]

rhythmnotes.net

Developing technique on conga drums can be tough without the right lessons. The Conga Guide will take you all the way to sounding good on this instrument.

violinist.com

It's one thing to play softly, but there is an art to projecting the feeling of intimacy out to a concert hall. This is one of the concepts that violinist Donald Weilerstein discussed on the third day of the Starling-DeLay Symposium on Violin Studies. Weilerstein earned his bachelor's and master's degrees at Juilliard in the 1960s, played for 20 years in the Cleveland Quartet and has served on the Juilliard faculty since 2000. He also talked about posture and sound production, offering concepts of balance and energy grounded in practices such as tai chi and yoga. Those concepts can get a bit esoteric, even seeming a little off-topic. But let's not forget: violin playing is both a physical pursuit and a practice that requires uncommon devotion. In that context, we certainly can use some sound body-mind advice, and Weilerstein, at age 85, has been honing his message for many years! Weilerstein's ideas about projecting intimacy were in response to the day's first performance, by student artist Josh Liu, who played the first movement of Bernstein's "Serenade, after Plato's Symposium." Liu, a master's student at Yale University, played the very exposed opening to this movement with excellent control, with a good mix of vibrato and non-vibrato. He also not only hit the insanely high A but also applied vibrato here. (Symposium Artistic Director Brian Lewis had spoken of that note in his pedagogy class the day before, commenting that it's so high, "it's actually here..." reaching all the way behind his head!) The movement eventually evolves into an elegant dance, and here the music started feeling a little internal - or to say it more simply, too quiet to let the audience in. Weilerstein addressed this by going straight to the fundamentals: he had Josh play a scale, then asked him where he felt the sound. The answer: his chest. Weilerstein wanted him to think more like

londondruminstitute.co.uk

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