Samplr vs Fluss - Granular Playground Utilisation & Stats

The app used by renowned musicians like Fred again.., Richard Devine, Apparat, Weval or Matmos live and in the studio. Samplr introduced a brand new way to make music, only possible on multitouch devices. Explore the samples melody and texture using the different play modes and create compositions with the gesture recorder. Samplr is the ideal tool for audio experimentation, music composition and live performance. USER REVIEWS “The most profound audio manipulation tool on iOS” 5 stars “There is NOTHING on the market hardware or software like this” 5 stars “Stunningly beautiful interface and exceptionally easy to use” 5 stars “This is the most musical app I've ever used. It's polished, it's musical, it's fun, it's inspiring” 5 stars “It’s the best realization of what touch screen sampling should be” 5 stars FEATURES • 8 play modes: Slicer, Looper, Bow, Tape, Scratch, Arpeggiator, Keyboard and Loop Player • Gesture recorder for sequencing • Audio input recording and resampling • 6 sample slots (x16 voices) • 5 effects per sample: Distortion, Filter, Amplitude Modulator, Feedback Delay and Reverb COMPATIBILITY • Ableton Link • MIDI Keyboard, Controller and Sync input • IAA (Inter-App Audio) • Audiobus Input and Output • Dropbox import • Export to AudioShare • WAV and AIFF file support Learn more and see how it works on samplr.net. For feedback or support please reach out to support@samplr.net

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Fluss - Granular Playground

Fluss is a sonic playground designed by Bram Bos and Berlin-based musician Hainbach to let you explore granular synthesis in a hands-on way. The playful touch UI invites anything from live performance, experimentation to learning and mastering the granular concept. Multiple plugins: Import, Record or Live Process You can import your own WAVs (standalone & AUv3 Instrument plugin), Record audio (Record effect plugin) or live-process sound (Process effect plugin) to create anything from drones and granular echoes to moving microtonal audio textures. Designed for touch: Kinetic Sliders All sliders and XY pads are linked to a physics model which lets you flick and throw them around. Minimise the friction for endless bouncing motion, as an innovative substitute for traditional LFOs and modulation. There was never a better reason for using a touchscreen for music. Shimmer Feedback effect Like a shimmer reverb, except it feeds the processed audio back into the grain engine. This lets you create an endless loop of pitch-shifting spaciousness, turning even the simplest of sounds into massive woolly mammoths. - 3 Voice grain engine, each with an independent playhead - Playable via MIDI (since version 1.1) - Filter inspired by the Oberheim Xpander, including its resonant Phase filter - Kinetic sliders and pads for playful interaction with the sound - Universal design (iPhone and iPad; iPad Air 2 or higher recommended) - Custom scales, unquantised mode and even Scala-import for microtonal experiments - Use WAVs (or other audio files), record audio or load the app as a live-processing audio effect - Real world tested as an instrument in numerous live performances by Hainbach - Offers light mode and dark mode UI