Analyse de l'application Laney - Digbeth Bass Plugin pour le 29 décembre

Laney Digbeth A widely-known, acclaimed FET/Tube bass amp for modern players looking for vintage sound. What’s inside - Stomp section with 4 pedals with adjustable processing order. - Cab section with 3 Laney cabs and an array of mic options. - Output section with full 10-band graphic EQ and a limiter. - Full parallel processing with adjustable section order. - FX section (EQ, maximizer, and 2 limiters). - FET / TUBE preamp channels (mixable). - Bass dynamics section with sidechain. - 3-band EQ with 4 mid-band modes. - Mammoth processing section. Stomp Section Three pedals from Black Country Customs: - The 85 Bass-interval a bass octave pedal with two parallel octaver modes. - The Custard Factory bass compressor pedal with three modes. - Blackheath distortion pedal with 2 distortion modes and an overdrive. Fourth pedal is addition from Aurora DSP: - Gamma Burst Bass-tortion three channels of drive with various characters. The Amp Digital recreation of the legendary 500 watt Digbeth bass head, with all its features: - FET / TUBE preamp channels with option to mix both of them. - 3-band EQ with 4 mid-band modes for different characteristics. - TILT "EQ Seesaw" knob for an all-around tonal adjustment. Cab section - Four mics to choose from, for diverse tonal characters. - Tone mixer for sound shaping and balancing. - External IR loader. - Three powerful and dynamic Laney cab models: 
-DBV212-4 
-DBV410-4 
-DBV810-4 FX rack Signal chain designed specifically for bass guitars, combining top-tier analog modeling and digital processing to deliver a powerful, punchy, and refined bass sound. This rack is built with the following iconic modules: - 10-band EQ A classic graphic EQ, with 10 bands of +/- 12dB gain, proportional Q and VU meters. Enhanced with an additional drive module for vintage saturation. - Sonic optimizer An advanced signal processor for adjusting the character of the sound. Useful for improving the low-end definition, adding some high-end clarity, as well as adjusting the overall feel. - Limiting amplifier Based on a legendary FET compressor/limiter known for its fast attack times and transparent compression widely used in studios for bass to achieve punchy and smooth dynamics. - Leveling amplifier Modeled after an optical tube-based compressor with a warm, smooth character. With a slow attack and release, it's a favorite for bass processing, due to its natural-sounding compression. BASS DYNAMICS - An adjustable compressor with a filtered sidechain. - "Placement" options for fitting the low-end better into the mix. IN - Crossover with 3 different modes and adjustable frequency (and an option to disable parallel processing completely). - Low-cut and high-cut filtering. OUT - Bass/Treble mixer for controlling the levels after the parallel processing. - Slam limiter for final dynamics adjustments. - Full 10-band graphic EQ. Additional features: - Noise gate - Tuner - Metronome - Built-in recorder for capturing riffs - Cross-platform preset sharing - Studio environment mode for headphones with control room simulation Available in AUv3 and standalone