Les 10 concurrents bmop.org les plus visités

landmarksorchestra.org

Read more about Boston Landmarks Orchestra's privacy policy. Contact us with any questions at (617) 987-2000.

proarte.org

Pro Arte Chamber Orchestra of Boston is an innovative, musician-run orchestra that brings a creative mix of classical and new music to the concert stage while truly reaching out to the community.

antonwebern.com

site dedicated to one of the 20th century's greatest composers. includes photos, biography, downloadable mp3s, opus list, and links. requires flash 8 to view.

richardpeaslee.com

the official website of composer, richard peaslee, featuring bio and music.

marstonrecords.com

home page of marston records. new release, promotions, and the latest information of the company.

spaniermanmodern.com

Louise P Sloane:  For the Love of Color  February 7-March 9, 2019   Spanierman Modern is very pleased to announce its first solo exhibition of Louise P. Sloane in Miami. You are invited to the opening reception on Thursday, February 7th, 2019 from 6-8 pm. Please RSVP here. Sloane’s work at first blush seems confectionary in nature because of her choice of color and texture.  Upon closer, more serious examination, it becomes clear that her work is characterized by rigorous attention to formal elements such as color, shape, balance, and depth.  Sloane has continued to develop a unique composition, which straddles the lines of Minimalism, gestural abstraction, and Color Field painting.  Commonly rectangles are divided into quadrants, with a square in the center, comprised of high key complementary colors.  All are filled with dense lines of what resembles cursive writing, arranged horizontally on the outer quadrants and vertically on the inner square. Color, for which Sloane’s work is perhaps most celebrated, here attains an unprecedented luminosity.   Louise P. Sloane’s painting emanates from a long and rich tradition in art history. The visual language of her paintings embraces the legacy of reductive and minimalist ideologies while celebrating the beauty of color, and a human affinity for mark making. In the second quarter of the nineteenth century, J.M.W. Turner pushed the limits of using dramatic color.In 1839, a French chemist named Michel Eugene Chevreul published his treatise on the vibrant interaction of the complementary pairings of color, which include, red-green, orange-blue and yellow-violet. Monet rejoiced in the complementary colors’ tendency to reinforce one another, painting red poppies in green fields. It was in this vein that van Gogh, after painting The Night Cafe in Arles, explained to his brother Theo, "I tried to express the terrible passions of humanity by contrasts of red and green."  Georges Seurat evolved a system. An honorary foundin