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Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups for the past 37 years.

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"ivo perelman is an incredibly lyrical sax player. the epitome of the searching artist. a conceptual instrumental jazz visionary pushing the envelope of the creative idea." @critical jazz

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Album reviews and information about jazz saxophonist, Paul Kendall.

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The Public Servants was originally Shelley Hirsch (voice), Phillip Johnston (soprano, alto saxophones), Dave Sewelson (alto, baritone saxophones), Bill Horvitz (guitar), Dave Hofstra (bass), Steve Moses (drums). Richard Dworkin later replaced Steve Moses on drums.   Other musicians who occasionally played with The Public Servants were John Zorn (alto saxophone), Wayne Horvitz (keyboards) and J.A. Deane (trombone). Led by Johnston, who wrote most of the music, the band was centered around Hirsch’s unique vocal style, prodigious virtuosity and sheer weirdness.  The band was together from 1980-1982 and played quite prolifically in New York at venues including CBGB, Hurrah, Danceteria, the Mudd Club, and TR-3, often in quite high-profile bills with bands like The Slits, DNA, ROVA and Bill Laswell’s Material. Our only formal release was a self-released ‘single’ 45RPM record – “Jungle Hotel” b/w “A Mistake, in 1980. How did we fit in? We didn’t. We were kind of anomalous yet connected in some ways to various very diverse scenes–that’s the kind of time it was. We were a little bit Punk Funk, a little bit No Wave, a little bit Kitchen Minimalism and a little bit Free Jazz. A specific combination of noise, groove, bebop, obscure puns and surrealistic swing–fronted by a vocalist who combined Brooklyn working class sass and beat poetry with Yma Sumac virtuosity. We fit in nowhere, but also everywhere, and we worked a lot–there were a lot of places to work then, from rock clubs to art performance spaces. Shelley Hirsch went on to become one of the most unique and admired (and versatile) New Music improvising vocalists in the Downtown scene, with a major career in Europe as well as the US. Johnston; Sewelson, Hofstra and Dworkin went on to feature in The Microscopic Septet, and later (minus Hofstra) in Fast ‘N’ Bulbous. Bill Horvitz had a long career as a guitarist across a wide variety of genres. Decades passed. In the mid 2010s, we began to discuss and make plans for a ‘reunio