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Seattle singer-songwriter Carrie Biell has been moving audiences for decades with her gentle, graceful hooks and concrete, heartfelt lyrics. As a twin and daughter of Deaf parents, her upbringing was anything but ordinary. Carrie came out as a teenager, and after connecting with other Queer artists, music became the outlet that found her a home in Seattle's expansive indie rock scene. At 20 years old, her first solo release in 2001 "Symphony of Sirens" launched her music career - landing her on some of Seattle's top stages, and frequent radio play on indie stations like KEXP, KBOO, and KCRW. After releasing four full-lengths and touring the country as a solo artist, Carrie shifted her focus to motherhood with the birth of her son in 2013. By 2016, she and twin sister Cat Biell founded the queer synth rock band Moon Palace. The band has been actively releasing and performing around the country, building an adoring fanbase. The Coronavirus pandemic has been a double-edged sword - as music venues shuttered and artists were isolated and prevented from performing, Carrie found inspiration in the quiet space of quarantine. She wrote and recorded demos at home, which led to the completion of her latest solo full-length, We Get Along, to be released in February 2022. For those who have followed Carrie’s career this record is long anticipated, and this Seattle darling is looking forward to connecting with old and new listeners from around the world.

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The 40th anniversary of the Tragically Hip is a milestone that’s been marked in a number of special ways. There’s the new documentary, No Dress...

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Independent Music & Culture Journal covering Folk, Roots, Global and Alternative Music - Album Reviews, News, Interviews, New Music, Mixes, Playlists and more

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Explore our resources on how to promote your music online through the use of tools like YouTube, Spotify, Instagram and more.

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In 2001, Chris Carlsson writing in Processed World (the magazine that he helped found), outlined the challenge facing community activists after the

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TRACK PREMIERE "Envisioned as an imaginary B-side to Bruce Springsteen ’s cover of 'Santa Claus Is Comin’ To Town,' the song is an upbeat rocker that carries a bittersweet sadness." Hey! While you're out there contributing to the economy today, take a moment for this soon-to-be-classic