Top 10 mi-soul.com Competitors

solarradio.com

solar radio, the uk’s number one music station bringing you soul, jazz, funk, soulful house, rnb, disco and more since 1984, plus the best soul cruises

radio-uk.co.uk

Check out and listen to the Top 10 songs this week. All the new songs and the most popular songs played on the radio.

jazzieb.co.uk

Soul II Soul - a happy face, a thumpin' bass, for a lovin' race.

soulution-audio.com

nature of sound

longwellrecords.com

YOU WILL BE SENT VOUCHER IN POST OR PICK UP FROM SHOP

addictedtoaudio.com.au

Australia's leader in headphones, portable audio, headphone amplifiers, DAC's, Hi-Fi, speakers, turntables, Bluetooth speakers, wireless speakers

theabsolutesound.com

Photography by Dennis Weeks. Last year saw the emergence of a brand-new regional audio show, the Florida Audio Expo (or FLAX, as some have taken to

gentsu.fr

Zed sort la première partie de son album "NEPHILIM", mêlant mélancolie et punchlines, avec des collaborations marquantes et un univers entre lumière et obscurité.

bear-family.com

1-CD with comprehensive booklet, 14 tracks 1953-1963. Total playing time approx. 36 mns. • , , ,French chansons are popular in Germany. • , , ,As hardly any Germans were speaking French after WWII, chansonniers had to sing in German to be heard across the border. • , , , Line Renaud was a popular French Revue Star. • , , ,Collection of her German language recordings. In defiance of all the rivalries and wars in the last century, French chansons were popular entertainment in Germany. Although comprehension of the song lyrics was rather poor, they were consumed just like Baguette, Beaujolais or Camembert. In the Federal Republic of Germany after 1945 you were supposed to learn English in lieu of French. Consequently chansonniers from the neighboring country had to sing in German. In the case of Line Renaud it was advantageous that a German record company (Electrola) and a French record company (Pathé) were economically linked. Der kleine Dompfaff remains a negligible attempt in 1953. But then every endeavor has been made to make the acclaimed French Revue Star popular across the German border. In the movie '1000 Sterne leuchten' she appeared in person to present her German version of C'est la vie in cinemas in the Federal Republic. , As a result of the internationalization of the music industry she also went to the USA where she recorded with Dean Martin at the Capitol Recording Studio. After a few singles, Electrola lost interest in Line Renaud. But at the dawn of the 1960s the Teldec company sent producer Wolf Kabitzky and orchestra conductor Gert Wilden to Paris with prepared playbacks and German lyrics to overdub Line Renaud’s vocals. Wilden already had contributed his music to the movie '1000 Sterne leuchten'. They got along well. Wilden spoke perfect French and Renaud had already approached the German pronunciation. The repertoire was a weird mix of German Schlager music and American Country songs, and the spark wouldn't ignite on these sessions. Like Renaud’s r