Top 10 takaishiigallery.com Competitors

jartfoundation.com

阿部典英、柿崎煕、伊藤隆介の3人展「SCAN DO SCAN」では、独自の表現を通じて北海道の現代美術の魅力を紹介します。

michaelhoppengallery.com

Boris Savelev Exhibitions: Paris Photo 2022, Grand Palais Éphémère • Stand D27, 10 - 13 Nov 2022; Masterpiece London 2022, The Royal Hospital Chelsea • Stand 611, 30 Jun - 6 Jul 2022; Boris Savelev, 28 May - 27 Jun 2014; Boris Savelev, Colour Constructions, 2 Dec 2011 - 21...

fr.lumas.com

Photographies et peintures d'art contemporain de la première galerie d'art photographique au monde. De l'art pour les amateurs avertis.

greenenaftaligallery.com

From video to drawing, writing to publishing, to kinetic objects and beyond, the Hong Kong-born, New York-based artist Paul Chan has found ever-new means by which to realize a sprawling set of artistic, philosophical, and political positions. Well-versed in Classics and critical theory, modernist literature and ’90s hip-hop, Chan has, since the turn of the 21st century, infused his art with a Homeric quality: cunning, which the artist describes as “twofold or dialectical.” The figure of Odysseus “illustrates in emphatic fashion what I think we intuitively understand,” Chan has said: “that reasoning is discursive and compelling when it is also aesthetical.” Drawing on a disparate array of visual and textual references, his early net-based projects and video installations like My birds... trash... the future (2004) illustrated Chan’s own cunning—his commitment to advancing discourse and aesthetics, each through the other. The 7 Lights (2005) would distill animation further—just light and shadow—immersing the viewer in an interpretation of the Old Testament creation story. After his initial burst of activity and recognition, Chan withdrew from art production from 2009–14. He kept working, however, establishing the imprint Badlands Unlimited, which published over 50 titles by artistic predecessors and peers (Yvonne Rainer, Cory Arcangel, Martine Syms), philosophers (from Socrates to Wittgenstein), and Chan himself. He returned to art in 2014, staging a retrospective at Schaulager, Basel and winning the Guggenheim Foundation’s Hugo Boss Prize. Since then, he has extended his animation practice off-screen, with a series of motile nylon figures, their rippling movements propelled by electric fans and their forms and titles registering Chan-ian concerns both metaphysical and political. These so-called Breathers manifest what the artist theorizes as the “kairological artwork”—objects which “seize time the way a beat holds a song… They last as experiences by not stayi

nguyenartgallery.com

ARTIST: Mai Huy Dung MATERIAL: Acrylic on canvas SIZE: 105cm*85cm | 41.3 inches*33.4 inches GALLERY: Nguyen Art JW Marriott Phu Quoc

axel-vervoordt.com

Axel Vervoordt Co. is a renowned art gallery, arts and antiques trading organization, with an interior design department for worldwide customers. The headquarters are located on the Kanaal site in Wijnegem (Antwerp), with also an interior design office in New York and art gallery in Hong…

makk.de

MAKK – Museum für Angewandte Kunst Köln, Kommunikation und Öffentlichkeitsarbeit, An der Rechtschule 7, 50667 Köln

1-54.com

The 1-54 Annual Book 2025 showcases the creativity, innovation, and resilience at the heart of 1-54’s mission to promote contemporary art from Africa and its diasporas. This edition features a comprehensive overview of the artists, galleries, and programming from 2025,…Read more 1-54 Annual Book 2025 ›

huxleyparlour.com

The gallery holds an intergenerational, international roster of artists as well as estates of important yet overlooked twentieth-century figures.