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On his fifth studio album, ‘Julia’, out February 13th 2026 via One Little Independent Records, Icelandic singer-songwriter Ásgeir enters intriguing and uncharted territory. After years of engaging translators such as John Grant and working with the poetry of his father, Einar Georg Einarsson, Ásgeir has penned his lyrics by himself for the first time in his long and celebrated career. The result is a deeply contemplative body of work, steeped in nostalgia, that sees him meditating on his past regrets as well as his hopes for the future, guided by the spectre of the album’s title character.  Ásgeir has long been lauded for his intricate folk-pop, lush production and wistful, emotive falsetto. ‘Julia’ marks a shift toward not just lyrical self-reliance but cathartic directness - songs that feel not just exquisitely performed, but lived in. “This was kind of the first time I was writing lyrics totally on my own,” he shares. “It was scary. I’m still trying to find myself within that. But I tried to open myself up and I learned a lot through that process, and it was definitely therapeutic for me.”  This new sense of vulnerability threads through the new album’s ten tracks, written and recorded over the course of nearly two years. Many of the songs were first composed on guitar, with Ásgeir aiming for simplicity, prioritising melody, clarity, and meaning. The production, co-developed with longtime collaborator Guðm. “Kiddi” Kristinn Jónsson, remains organic and understated, allowing Ásgeir’s voice, and importantly his voice as a writer, to come forward. Musically, the record leans into Ásgeir’s long-held love of folk and Americana. He cites influences ranging from Daniel Lanois, Leonard Cohen, and Nick Drake to contemporary artists like Adrianne Lenker, Dina Ögon, Gregory Alan Isakov, and Saya Gray. The new record also mirrors the spirit of Ásgeir’s recent return to solo touring - over 70 shows across Europe, the Nordics and Iceland, often in small churches or qu

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