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thestrad.com

Since its launch in 1890, the magazine has brought its readers the best features, comment and analysis on all issues of interest to string teachers, players, students, instrument makers and enthusiasts. Authoritative, trusted and influential, The Strad keeps readers informed about the latest news, groundbreaking research and techniques in all aspects of playing and making stringed instruments through its print and digital platforms.

slippedisc.com

Message from Parma Recordings: We’re excited to announce...

violinist.com

The great Fritz Kreisler (1875-1962) performed many violin-piano recitals in which he played concertos or pieces written for orchestral accompaniment, or for another instrumentations entirely. Such was the style of the time. For example, Kreisler made arrangement/reductions of the Tchaikovsky Violin Concerto and the first movement of the Paganini First Concerto that were published, but are now out of print. (I will speak more about this in the fourth part of my series) There were plenty of other pieces that Kreisler revised and forced his pianist to play. For this article, I will talk about two concerto reductions used for my own recital - Bach's Concerto in A minor and Mozart Violin Concerto No 3 in G major - where my collaborator, pianist Michelle Kim, does her best impression of an orchestra. I'll also talk about a quartet arrangement, the "Cavatina" from Beethoven's Quartet No. 13 in B flat major, Op. 130, also arranged by Kreisler for piano and violin. It is strange to think that the Bach concerti and the Mozart concerti could ever have fallen out of fashion, but at the time of Kreisler's early career, such pieces represented a different time with different sensibilities.

pizzicato.lu

As online magazine for classical music without public subsidy, we rely on the revenues from advertising and the generosity of our readers to help us to produce top-quality, independent music  journalism. We value and welcome your support with which you will be making a direct contribution to the realization of our ambitions. TO MAKE A […]

operawire.com

Gioachino Rossini's "Cendrillon," the French language version of "La Cenerentola," tells the story of Cinderella in real-life and not fairytale.

classicfm.com

The Most Relaxing Music. Listen live to Classic FM radio online. Discover classical music and find out more about the best classical composers, musicians and their works.

menuhincompetition.org

Discover the Menuhin Competition, the leading international violin competition for young talents. Explore events, laureates, and inspiring performances.

symphony.org

In Tuesday’s (3/31) Montreal Gazette, T’Cha Dunlevy writes, “Rafael Payare is starting to feel like a Montrealer. The maestro embarks on his fifth season at the head of the Orchestre symphonique de Montréal this fall…. Originally from Venezuela, Payare and his wife, acclaimed American cellist Alisa Weilerstein, settled with their daughters in Outremont before moving... Read more »

noise11.com

Support Act, the music industries fund to help musicians and families of musicians in need, has launched a new fundraiser Bandwagon. Support Act is a unique organisation in the music industry, helping music professionals who are facing hardship due to illness, injury or some other crisis that impacts on their ability to work in music.